Play Along Piano

Tags

Opera

Phantom of the Opera

bakpak2hvy

2:08	Est. Play Time
58	Measures
	3,624Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
C Tuba	14	5	5	2	100%
Contrabass	12	0	5	2	100%
Violoncello	14	0	5	2	100%
Tubular Bells	14	8	2	7	96%
Horn 3 4	22	15	10	5	81%
Trombone	18	15	7	5	77%
	19	0	6	5	77%
Violin 1	20	0	4	5	77%
Viola	21	7	8	5	74%
Oboe 1	19	5	7	5	70%
B Clarinet 1	21	0	6	5	67%
B Clarinet 2	21	15	8	5	67%
B Trumpet 1	18	0	7	5	67%
Horn 1 2	17	0	6	5	67%
Violin 2	22	11	6	5	67%
B Trumpet 2	17	15	8	5	65%
Flute 1	21	0	7	5	63%
Flute 2	21	16	8	5	63%
Glockenspiel	21	12	8	5	61%
Timpani	5	0	1	4	14%

HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)

edward.maurath

1:32	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	27	7	4	100%
	17	13	7	3	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	27	7	4	100%
	17	13	7	3	100%
Amarilli	14	0	5	3	100%
Contrabasses	11	0	4	3	100%
Violas	9	0	2	4	100%
Violins 1	12	0	4	3	100%
Violins 2	11	0	4	3	100%
Violoncello	11	0	4	3	100%
Violoncellos	11	0	4	3	100%

HWV8A1N4 - "Son di Mirtillo!" recitativo secco

edward.maurath

1:47	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
Mirtillo	10	0	3	3	50%
Hpsi	14	17	4	2	46%
	9	5	2	4	46%
Harp	14	12	4	1	43%
	12	10	3	2	43%
Theorbo	12	6	5	2	21%
Lute	13	10	4	3	18%

HWV1A2N16vEJM, "No, no, non voglio" (Almira)

edward.maurath

1:41	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
Harpsichord	17	36	5	4	98%
	24	29	7	4	100%
Violoncello	20	0	6	4	100%
Almira	14	0	6	4	88%

Richard Strauss - Die Frau ohne Schatten Act 1 Introduction (Vocal Score)

LeftRight

1:32	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	45	47	21	11	97%
	53	41	26	11	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	45	47	21	11	97%
	53	41	26	11	100%
Der Bote	15	0	7	7	44%
Die Amme	20	0	8	9	34%

Wagner - Siegfried Akt 2: Siegfried vs Fafner in Full score.

Jamie Holdham

1:38	Est. Play Time
48	Measures
	1,629Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
Bass-Tuba. (in C.)	19	0	9	5	94%
Contrabasse Posaunen.	24	0	13	5	94%
Contrabasse Tuben.	26	0	13	5	94%
Bassclarinetten.	18	0	7	5	88%
BRATSCHEN.	24	14	9	5	85%
Violoncelle.	31	5	14	6	83%
Contrabasse.	22	3	10	7	81%
I. Violinen. II.	27	4	11	6	75%
Bass-Tuba. (in B.)	28	0	12	4	75%
Violins	27	4	11	6	75%
Horner. (in F.)	16	2	5	5	70%
Horn in F	15	2	5	5	70%
F Trumpet	2	0	1	4	13%
	12	0	1	6	65%
Tenor-Tuba. (in Es.)	21	1	9	4	63%
Clarinetten. (in Bb.)	13	4	5	5	61%
B♭ Clarinet	27	3	11	5	57%
(2 Tenor.) 3 Posaunen. (1 Basse.)	14	0	4	6	54%
Tenor Trombone	15	0	4	6	54%
3 Hoboen.	13	6	4	5	54%
2 Trompetten. (in F.)	14	1	2	5	52%
Oboe	16	4	6	5	51%
Englishes Horner.	16	0	6	5	50%
Bass Trompeten. (in D.)	9	0	3	6	38%
Flute	4	2	2	3	24%
3 Floten.	6	0	2	4	19%
Timpani	3	0	1	4	15%
2 Pauken.	3	0	1	4	10%

Richard Wagner - Siegfried vs Fafner und Forest Murmurs. {Full score.} {Unfinished.}

Jamie Holdham

1:38	Est. Play Time
65	Measures
	1,869Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	6	92%
Bass-Tuba. (in C.)	19	0	9	6	89%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	6	92%
Bass-Tuba. (in C.)	19	0	9	6	89%
Contrabasse Tuben.	26	0	13	6	89%
BRATSCHEN.	24	16	9	5	86%
Bass Trombone	26	0	14	6	84%
Contrabasse Posaunen.	24	0	13	5	84%
Violoncelle.	31	5	14	7	84%
Bassclarinetten.	18	0	7	6	82%
Contrabasse.	22	3	10	8	82%
I. Violinen. II.	27	4	11	6	77%
Violins	27	4	11	6	77%
Bass-Tuba. (in B.)	28	0	12	4	64%
Horner. (in F.)	16	2	5	5	62%
Horn in F	15	2	5	5	62%
Clarinetten. (in Bb.)	15	5	6	7	60%
B♭ Clarinet	27	3	11	7	56%
F Trumpet	12	0	1	6	55%
Tenor-Tuba. (in Es.)	21	1	9	4	54%
(2 Tenor.) 3 Posaunen. (1 Basse.)	15	0	5	8	50%
Tenor Trombone	15	0	4	8	50%
3 Hoboen.	13	6	4	5	47%
2 Trompetten. (in F.)	14	1	2	5	45%
Oboe	16	4	6	5	44%
Englishes Horner.	16	0	6	5	43%
Bass Trompeten. (in D.)	9	0	3	6	32%
Flute	4	2	2	3	21%
Timpani	5	0	2	4	17%
3 Floten.	6	0	2	4	16%
2 Pauken.	3	0	1	4	9%

Wagner - Tristan und Isolde Love Duet. Professional production full score. {Unfinished.}

Jamie Holdham

1:50	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Halfte. Br. 2. Halfte.	23	0	10	6	71%
Horn in F	10	0	6	6	67%
View all 32 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Halfte. Br. 2. Halfte.	23	10	6	71%
Horn in F	10	6	6	67%
in F.	7	3	6	62%
Fag.	12	6	4	55%
1 Br. (allein)	4	1	5	52%
2 I.VI.	6	2	5	50%
	4	1	5	48%
1. Halfte. Vcl. 2. Halfte.	3	1	3	48%
1 Vcl. (allein)	3	1	3	48%
2 II.VI.	4	1	5	43%
	4	1	5	43%
Viol.I. 2. Halfte.	4	1	5	43%
BaBkl. in B.	8	4	5	43%
in E.	8	3	5	43%
Viol.II. 2. Halfte.	3	1	5	43%
Violas	21	10	5	43%
Violoncellos	3	1	3	43%
in F. Hr. in E.	6	2	5	38%
Hob.	10	4	3	29%
Klar. in B.	8	4	6	29%
Bassoon	8	3	4	29%
I. Pos. II.III.	7	3	3	27%
Hrfe.	14	6	1	24%
	12	7	1	24%
Engl.H.	4	1	4	24%
I. II. K.B. III. IV.	3	1	4	14%
B♭ Clarinet	3	1	2	14%
Contrabasses	2	1	4	14%
Trombone	4	2	3	14%
I. Gr.Fl. II.III.	5	2	3	10%
Oboe	1	1	2	10%
Pk.	1	1	1	5%

"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)

edward.maurath

1:58	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
	18	6	4	5	94%
Harp (Continuo)	16	10	3	5	100%
	18	6	4	5	94%
	17	0	3	4	77%
Violoncello (Continuo)	18	0	3	5	94%
Contrabass (Continuo)	17	0	3	4	77%
Contrabasses (Continuo)	17	0	3	4	77%
Strings	16	0	3	4	77%
Violoncellos (Continuo)	18	0	3	4	77%
Rodrigo	15	0	5	7	67%

Bois épais (Amadis - Jean-Baptiste Lully)

Carlos E. Marrero

2:04	Est. Play Time
56	Measures
	1,148Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clave II	19	8	3	7	100%
	21	6	5	6	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clave II	19	8	3	7	100%
	21	6	5	6	100%
Clave I	21	43	5	17	100%
	20	0	2	6	97%
Cello	18	0	3	6	100%
Contrabajo	19	10	3	6	100%
Violas 1	14	0	1	7	100%
Violas 2	13	0	1	6	100%
Violines 1	13	0	2	7	100%
Violines 2	13	0	3	6	100%
Amadis	12	0	2	8	75%
Oboe d'Amore	12	0	5	8	75%
Flauta	13	0	1	5	27%
Oboe	7	0	1	5	27%
Fagot 1	9	0	0	6	25%
Fagot 2	15	0	1	5	25%
Clarinete en Si♭	8	0	1	5	9%